US - Publish or Perish: The Lessons of the Cartoon Jihad

Too bad the Western media didn't learn them.

The central issue of the "cartoon jihad"—the Muslim riots and death threats against a Danish newspaper that printed 12 cartoons depicting Mohammed—is obvious. The issue is freedom of speech: whether our freedom to think, write, and draw is to be subjugated to the "religious sensitivities" of anyone who threatens us with force.

That is why it is necessary for every newspaper and magazine to re-publish those cartoons, as I will do in the next print issue of The Intellectual Activist. Click here.

This is not merely a symbolic expression of support; it is a practical countermeasure against censorship. Censorship—especially the violent, anarchic type threatened by Muslim fanatics—is effective only when it can isolate a specific victim, making him feel as if he alone bears the brunt of the danger. What intimidates an artist or writer is not simply some Arab fanatic in the street carrying a placard that reads "Behead those who insult Islam." What intimidates him is the feeling that, when the beheaders come after him, he will be on his own, with no allies or defenders—that everyone else will be too cowardly to stick their necks out.

The answer, for publishers, is to tell the Muslim fanatics that they can't single out any one author, or artist, or publication. The answer is to show that we're all united in defying the fanatics.

But the Western media caved in.
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